Neck-body joint for guitar-like instruments

4027570
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Inventors

Rendell, Stanley E.
Schneider, Richard

Application #

576326

Filed

May-12-1975

Published

Jun-7-1977

Current US Class

084/267
084/291
084/293

International Classes

G10D 003/01; G10D 001/08; G10D 003/00

Field of Search

84/293 84/291 84/267

Assignee

Norlin Music, Inc. (Lincolnwood, IL)

Examiners

Tomsky; Stephen J.

Referenced by:

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Citation

Cite This Patent

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Abstract
This invention relates to an improved neck-body joint for a guitar-like musical instrument which joint minimizes the possibility of relative movement between the neck and body and permits the neck to be pitched at a desired angle relative to the body without weakening either element. The firm joint is achieved by (a) providing a tongue which extends from the end of the neck and a recess in the upper surface of the endblock, the recess being positioned and sized so as to permit the tongue to fit snugly therein and be secured therein when the neck and body are fully assembled; (b) providing a dove-tail projecton on the end of the neck which mates with a dove-tail channel formed at the mating end of the headblock and (c) reinforcing the body at a point substantially under the last fret of the fingerboard, such reinforcing being accomplished by securing first and second reinforcing bars respectively to the inside surfaces of the soundboard and the bottom board of the body at the point under the last fret with these bars extending from one sidewall of the body to the other, and attaching reinforcing bars to each of the sidewalls, the bars extending between and being connected to both the first and second reinforcing bars. The desired pitch angle for the neck is achieved by utilizing a soundboard having a large angle curve, the neck being pitched such that its upper surface is in a plane tangent to the curvature of the soundboard at the back end thereof.
 
Claims
What is claimed is:

1. In a guitar-like musical instrument having a body with a soundboard forming its upper surface and a headblock secured in the back end thereof and a neck extending from the back of the body, a neck-body joint including:

a tongue extending from the upper portion of the end of the neck which end is in contact with the body; a recess formed in the upper surface of the head block at a position opposite said tongue, said recess being sized to permit said tongue to fit snugly therein, said tongue being firmly secured in said recess when said neck and body are fully assembled; a dovetail projection extending from the end of said neck adjacent to the body; and a dovetail channel formed in said headblock, said channel being positioned opposite the projection of said neck and being sized to have said projection fit snugly therein when said neck and body are assembled.



Description
BACKGROUND

1. Field of the Invention

This invention relates to guitar-like musical instruments and more particularly to an improved neck-body joint for such instruments.

2. The Prior Art

In a guitar or similar instrument, the joint between the neck of the instrument and the body of the instrument must be as firm as possible since any movement along this joint can cause both variations in string height, (decreases in this height causing spurious contact with the frets and thus possible buzzing of the instrument) and variations in string length (and thus in the intonation of the instrument.) However, in spite of the criticality of this joint, it has heretofore normally been accomplished with a glued butt joint. Sometimes a single dove-tail is included for reinforcement. These joints have not, however, provided the requisite strength to minimize movement along the joint.

This joint also controls the angle or pitch of the neck, and thus the fingerboard relative to the instrument body. If the plane of the fingerboard is the same as that of the guitar top, then a relatively low bridge (just slightly greater in height than the height of the fingerboard,) must be utilized. However, for optimum sound output, it is desirable that a higher bridge be utilized. Further, with this pitch, the player must reach out with his left arm when playing, a position which is less comfortable than if the arm could be positioned back closer to the player's body.
 
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